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I am using the value 1.2em a lot to define the height and the offset of the shadows, making it an ideal candidate for a CSS custom property (which we’re calling -h). This is the main trick that that makes all of the examples in this article work. If we hide the overflow, then the duplicated text is out of view and the movement makes it appear as though the actual text is being replaced by other text. We have two text layers that we move on hover. If you click this arrow on the existing drop shadow and then on the object you. If you click on the Copy shadow properties button on the drop-shadow toolbar youll get a large arrow appear. A5 pages in book but printer has A3 only. What we’re doing is less of a “classic” shadow than it is a simple way to duplicate the text. Macro for grouping objects located in a specific area of the page. That’s why I was able to claim in the introduction that there are no shadows in here. That means there’s no blur radius, making for a sharp, crisp shadow that effectively produces a copy of the text with the specified color. Then select the layer you want to paste it to. Hit Command+C if you’re on a Mac or Control+C if you’re on a Windows company to copy it. After that, I am using text-shadow to create two shadows where I am defining only two length values for each one. If you want to copy and paste the drop shadow from one layer to another in After Effects, select the Drop Shadow property of the layer in the Timeline. If you’re going to use use it for very small, highly reusable things like buttons and form controls - and even then only if you’re not using a framework like React where a component would be a better choice.The first thing to notice is that I am making the color of the actual text transparent (using #0000) in order to hide it. Changing styles is scarier - CSS is global, are you sure you can change the min-width value in that class without breaking something in another part of the site?.You have to jump between multiple files to make changes - which is a way bigger workflow killer than you’d think before co-locating everything together.You have to think up class names all the time - nothing will slow you down or drain your energy like coming up with a class name for something that doesn’t deserve to be named.If you start using for everything, you are basically just writing CSS again and throwing away all of the workflow and maintainability advantages Tailwind gives you, for example: Note: If a selected layer already has a single instance of an effect applied, pasting that same effect will replace the existing effect rather than adding. Making changes in a project that has tons of custom CSS is worse. To copy effects from one layer to one or more layers, select the effects in the Timeline panel or Effect Controls panel, choose Edit > Copy, select the target layers, and choose Edit > Paste. Yes, HTML templates littered with Tailwind classes are kind of ugly. Whatever you do, don’t use just to make things look “cleaner”. Changing the font-size for every instance is just as easy as it is with CSS, but now you can turn all of the titles into links in a single place too. Sure you can update the font-size for every instance in a single place, but what if you need to turn the title into a link?Ĭomponents and template partials solve this problem much better than CSS-only abstractions because a component can encapsulate the HTML and the styles. chat-notification Įven if you create classes for the different elements in a component like this, you still have to duplicate the HTML every time you want to use this component. Contributors 204 + 198 others ĭon’t panic! In this guide, you’ll learn about different strategies for reusing styles in your project, as well as best practices for when to employ each one.